Tuesday, February 28, 2012

The Rainbow House

Comparing architecture to music is quite a clichée, but with this house, considering it was built for jazz musician Russ Garcia, such an allegory isn't too far off.

This above video, featuring Devendra Banhart and his girlfriend, beautifully directed by Lisa Eisner, was made for spectacle-firm Oliver Peoples (you know, American Psycho?). It is set in the Garcia residence, also known as the Rainbow House (which was pulled down by an aussie hillbilly with a mullet and a truck in Lethal Weapon 2) on Mulholland Drive, designed in 1964 by none other the man himself - the master of googie architecture - John Lautner. It is a truly amazing house, and it only gets bettter once you see it's insides and the stunning spaces it posesses.

                                                                                                                                                     Picture by Julius Shulman
                                                                                                                                                Pictures by Francois Dischinger

The house had seen it's best days, and at the turn of the millenia, countless "improvements" had wrecked the  soul of the house, but its current owners has however had it renovated by architects Marmol & Radziner, who also worked on the restoration of Richard Neutra's Kaufmann house, and the decorator, Darren Brown, put that old-school playboy-feel to the interiors.

The binuclear floorplan of the building is as genius as it is original, and I cannot help to wonder why it hasn't been more widely copied. On the one side of the house exists the private sphere: bedrooms, bathrooms, an office and a movie room - spaces that do not demand the grand volume of the great room, situated in the other wing, along with an elevated dining area and a open kitchen. When it in 2002 came on the market, it did so at the bargain price of $1,395,000.

Devendra Banhart, 2010 Photos by Lisa Eisner

1 comment:

  1. Något jag djupt respekterar hos Lautner är hans ovilja att upprepa sig vilket måste ha krävt en hel del tankemässigt. Att få dessa byggnader på ritningar var inte heller så lätt alla gånger. Det var nog en krävande farbror på många sätt, och man undrar vad han hade kunnat åstadkomma inom "public architecture" !?